Beat The Devil’s Tattoo showed no sign of the band slowing down.
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The many dimensions of BRMCĭuring their long carreer of almost two decades in the spotlight, BRMC have always been exceptionally good at simply focusing on the music as their cornerstone, especially during their professional as well as personal ups and downs. The former tours together certainly helped to make it a rather smooth transition from the time being on the road together to a three-piece-band in the studio. With Shapiro officially joining the band full-time, Black Rebel Motorcycle Club’s core was steady once again and the band ready to breathe new life into their creative process. When being released in 2010, Beat The Devil’s Tattoo was quickly labeled as the album that perfectly blended BRMC’s versatile back catalogue of blues inspired rock with sharp edges, the more psychedelic and hazy soundscapes, their love for noisy, distorted guitars and grooving basslines as well as for the more stripped down, acoustic moments resulting in heartbreakingly beautiful piano-ballads like Long Way Down. Instead of falling into a sort of limbo, Robert Levon Been and Peter Hayes continued to grow and fearlessly open up a new chapter for the band by welcoming former The Raveonettes drummer Leah Shapiro into the band (and the recording process) who had been touring with Black Rebel Motorcycle Club ever since Nick Jago’s departure. Their sixth studio album Beat The Devil’s Tattoo, which celebrates its 10th anniversary this year, marked a new beginning for the Los Angeles based trio in a sense of moving on from their past troubles with former drummer Nick Jago who departed from the band in 2008 for good.
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